![]() also starred in Herzog’s 1977 feature Stroszek. The film won three major prizes at Cannes in 1975. Herzog employs off-kilter visuals to convey his feral protagonist’s disorientation, and heightens the sense of estrangement with the inspired casting of non-actor Bruno S., a street musician who had spent years in mental institutions, in the role. Initially treated as a freak, Kaspar is gradually educated in the ways of Western civilization, but his encounters with language, logic, and religion have unexpected results. He is Kaspar Hauser, perhaps the ultimate Herzogian outsider: without speech, without reason, without memory, and apparently without human contact since childhood. Dramatizing an intriguing and still-unsolved historical mystery, the film opens in 1828 in Nuremberg, where a strange man is found standing catatonically in the town square. Werner Herzog’s fable-like follow-up to Aguirre, the Wrath of God remains one of his most beloved works. At his best, Herzog is like no other filmmaker I know.” His performance is a must watch.“Kaspar Hauser is one of the most fascinating of films. is tremendous in a role where he’s given space to create a truly unique character. While the mystery fades as the movie progresses, Bruno S. The Enigma of Kaspar Hauser is a wonderfully odd premise for a movie. We never learn why Kaspar suddenly appears and in the end, the mystery still lingers – although the movie shifts to Kaspar’s own stunted development. The premise of the movie is intriguing but eventually loses its allure. “Is that screaming what men call silence?” He later compares the church choir singing to “howling.” In his developing mind, Kaspar connects silence to horror. Herzog explores the idea of silence throughout the movie. Kaspar’s mind has evolved to asking the question: “What are women good for?” The subtle repression in Mira’s face speaks volumes. She’s the housekeeper for Kaspar’s benefactors and engages in one of the movie’s more memorable exchanges. She’s not given a huge role here but Mira, the standout veteran Fassbinder actor brings a gentle presence. However, he delicately holds the baby while a single tear falls from his eye. ![]() Kaspar stands over the crib and a looming sense of dread emerges – he’s not far removed from living in a barn. There’s a touching scene where the family Kaspar is staying with has a crying baby. The landscape of lush hills and country gardens adds an ethereal richness unique to Kaspar’s journey. He enhances the mysterious air of the movie with a swirling tribute to the senses- there is such inherent beauty and wonder in Kaspar’s surroundings. The cinematography and gorgeous orchestral touches are quintessential Herzog. At times, the movie drags but his fascination with Bruno S. Like most of his movies, Herzog takes his time detailing Kaspar’s evolution. Herzog crafts a beautiful, moody atmosphere and takes a measured approach in his presentation. His thoughts are both simple and profound – he asks: “Why can’t I play piano like I breathe?” His transformation is impressive, as he learns to question his world. Kaspar progresses to learning music, philosophy, religion and logic. ![]() He later escapes and is taken in by a cultured family. Kaspar is inspected by the locals before eventually becoming part of a freak show. His gravity lunges him forward at the dinner table – he spits out his food. expertly conveys the character’s struggles, as he can’t control his legs – he wobbles and can’t bear weight. His Kaspar has to learn to walk, talk, write and ultimately think. He inhabits a character who is essentially a wild-eyed barn animal. was known as an unorthodox method actor with his own mysterious past. While his interactions with the director aren’t as legendary as those of Klaus Kinski, Bruno S. It wouldn’t be a Werner Herzog movie if a mercurial lead actor wasn’t featured. The Enigma of Kaspar Hauser chronicles a mysterious man learning to think. He eventually is taken in by a benefactor and educated, which yields interesting results. The Enigma of Kasper Hauser is a 1974 movie directed by Werner Herzog.Ī man suddenly appears in a small town unable to walk or express himself.
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